Fiddler on the Roof is the sort of musical where the
songs have seeped so deeply into the public consciousness that we don't even
necessarily associate the tunes with the show anymore. I once saw "To
Life" performed at a wedding, in Mrs.
Doubtfire Robin Williams parodied "Matchmaker", and "If I
Were a Rich Man" was even sampled
for a 2004 Gwen Stefani hit. So although these songs have perhaps morphed into
something completely separate from the show, the Schoolhouse Arts production
(directed by favorite of the theater, Bruce Avery) reminds us of the truly
great story and characters from which these songs are derived.
In
the beginning of the show we meet Tevye, played by (the perfectly cast) Chris
Roberts, who leads us through the story of his village, 1900's Anatevka, with
grace and humor. He explains that the town bases most decisions upon the
teachings of ancestors— rituals and historical conventions are the building
blocks of their lives. The opening song, "Tradition", lays out the
time-honored roles of husbands, wives and children, and reminds the audience of
how cemented and pre-planned most of these people's lives are.
As
the show continues we meet Tevye's family. First is his wife Golde played by
Danielle Raitt, who is a great partner to Roberts, with her own comedic timing
and strong dramatic moments. Then we are introduced to the pair's five
daughters; the oldest Tzeitel (Kim Drisko), followed by Hodel (Lauren Bamford),
Chava (Katie Stoddard), and the two youngest Shprintze and Bielke (played by
Ashley McBreairty and Meghan Reidy). Because the girls come from a poor family,
the very funny, busy-body matchmaker, played by Sabrina Luy, attempts to find
them each a suitor. This leads to the song "Matchmaker", which was
among my favorites as it nicely showcases the three oldest girl's strong
voices.
From
there the audience is taken through the story of how Tevye's three eldest
daughters meet and choose their future husbands, instead of being
"matched" as is the norm. And so the couples ask the girls' father to
accept the marriages despite their uncommon circumstances, which is not an easy
thing to do for such a devout Jewish man. Following the requests, Tevye's faith
is tested even more deeply, and eventually his whole village must face change
whether they like it or not.
When it
comes to this show's music, I've always loved "The Sabbath Prayer" as
well as "To Life", and the casts renditions did not disappoint— the
former a beautiful hymn, and the latter the upbeat tune you'll leave the
theater humming. "Sunrise, Sunset" is another gorgeous song that will
make many a parent in the theater cry. But then there's a song that I feel
often gets overlooked: "Far From the Home I Love", which is
unfortunate, because when done well, it can be incredibly moving. Luckily,
Bamford delivers with a pitch perfect, near-flawless rendition. Although the
cast clearly brought their own talents to the table, it should be noted that
the show was under the musical direction of the incomparable Victoria Stubbs.
The
first half of the show is a bit more high energy and bright when compared to
the second act. But "L'Chaim" means "to life", and life is
something that has to be experienced through ups and downs, both light and
darkness— and we are all better for seeing those parts in between. This show
will lead your heart back to moments when your own children got married, when
parts of your family struggled to stay together, and when big changes were
coming in the world, so all you could do was stand by your beliefs and hope for
the best. I've always felt that the best kinds of shows were ones that could
really made you feel something, and this story certainly does.
It
seems appropriate that Fiddler on the
Roof should be the first show to open at Schoolhouse after some recent
renovations, as the show tackles the big question of when should tradition
should be upheld, and when should we welcome change? Schoolhouse Arts Center is
a wonderful example of history meeting change. This is the theater's 26th year,
during which time it has hosted classes for all ages in everything from
puppet-making to Zumba, and has put on show after show filled with heart, and
powered by community. And lucky for the theater, that community (as well as the
grant-giving Naragansett Foundation) saw its value, and helped it to make some
much wished-for changes to the building's facilities.
After
12 weeks of construction, the old school house now has a new floor in the
theater, 20 more seats (with room for more should the show sell-out), new
curtains donated by Gorham schools, and has even been made handicap accessible
with a ramp from the outside straight to the theater, paired with a door from
the gathering room (where most patrons spend intermission) which opens to the
same platform the ramp comes up to. Although the entire building has the charm
and history that only a school built 100 years ago can, it's nice to have some
options for those who wish to avoid the stairs, but still want to see one of
the wonderful shows which Schoolhouse has become known for.
Show
Dates:
July
10, 11, 12, 17, 18, 19, 24, 25, 26 at 7:30 p.m.
and
July 6, 13, 20, 27 at 5:00 p.m.
Tickets
are $18 for adults and $16 for students and seniors.
Schoolhouse
Arts Center is located at 16 Richville Road (Route 114) in Standish, just north
of the intersection of Route 114 and Route 35.
Call
642-3743 for reservations or buy tickets on-line at www.schoolhousearts.org.